Practical Information
(General Remarks to Section 'QU')


3
 
The QU section of the tables lists the Office chants from the 1st Sunday in Lent to the Lauds of Holy Saturday. The weeks are numbered continuously over the whole Lent period, the Dominica Passionis being thus marked D5, the Dominica Palmarum D6 and the last days of the Holy week 6f5, 6f6, 6Sabb.
According to an almost universal custom one of the Nocturnal responsories was anticipated at the 1st Vespers of each Sunday.
ComplineThe structure and the chants of the Compline are not always obvious. Many sources do not assign an antiphon to the psalm and we can only guess that it was taken from the Psalter section. The responsory is often missing and it is doubtful whether this item was omitted or taken from the Psalter. The antiphon to Nunc dimittis is frequently the proper of Lent, being sometimes different for Sundays and weekdays (the latter is recorded as D-CC in the tables), moreover it could vary in one- or two-week periods. In this respect even the same rite may show incongruencies.
Cycles of responsoriesThe cycles of responsories (D1: De Quadragesima, D2: Historia de Jacob, D3: de Joseph, 4D: de Moyse, D5-6: de Passione Domini) generally exceed the number nine needed for the cursus saecularis. The majority of the sources list the surplus items after the last Sunday responsory while others shift them to the following weekdays (to f2, sometimes also to f3, f4). The method of redaction often varies even with books belonging to the same rite and the actual situation can only be reconstructed by collating the sources. At any rate, these responsories must have been sung on weekdays (unless copied only out of a feeling of reverence for tradition). We will record them so, even if they were originally included on Sunday in a certain part of the sources.
Little Hours
2nd Vespers
It is well-known that the Little Hours of the Lent period had rather short but musically elaborated responsories after the model of the responsorium prolixum instead of the responsoria brevia (consequently marked as R instead of r). The three sets of these responsories appeared in two-week turns. We count among these series the responsories for the 2nd Vespers on Sunday sung probably on weekdays, too (often unmentioned, however, in the weekday rubrics). As regards the distribution of these Vespers responsories there may have been some differences in the rites (Sunday - weekdays, length of one turn, etc.) rather than in the Little Hours.
SuffragiumAt the end of Lauds and Vespers a single suffragium (antiphon + versicle + oratio) called pro peccatis or pro populo was inserted, the antiphon of which is recorded in the tables on the day 1f2 for Lent and 5f2 for the tempus passionis.
The Ab-Am antiphons are assigned to the pericopes of the Lenten days. There are days with more than two of such pieces and the surplus items were either omitted or shifted to the Little Hours (where the tables list them) or copied simply out of respect for tradition. The facts cannot be always accurately established as the antiphons are frequently listed without any qualification.
From the 5th SundayFrom the 5th Sunday onwards the Office is governed by particular rules the most important being the omission of the doxology in the Invitatory and the responsories. There are other changes in the order of the Compline antiphons, the set of versicles and the suffragium pro populo.
The Holy WeekIn the Holy Week the weekday responsories are no more assigned to the Sunday set in most of the sources and the assignement is indicated day by day. Monday, Tuesday and Wednesday before Easter had a set of antiphons for Lauds each, and also Proper antiphons for the Little Hours. Other peculiarities varying according to tradition are enumerated in the tables and notes.
The Office on the three remaining days of the Holy Week differs from any other celebration and reflects a very old state of the Roman Liturgy. It lacks the Invitatory, the hymns, the Capitulum and some other parts; at Lauds and Vespers only psalms, canticles and oratio were performed. The Little Hours were only recited in prose in a simple way.
At the end of the Lauds, however, a solemn litany was sung provided with different names in the European churches. The scheme of this invocation is: Kyrie eleison - Verse - Domine miserere - Christus Dominus, all repeated three times with changing verse (the latter supplemented by trope-like other verses in some rites). Neither the litany nor the different local additions will be included in our tables whereas the selection of verses typical of a given tradition is recorded in the commentary.
 
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